ISSUE 44
WINTER 2020
EDITORIAL
- Ken Clay
THE HIBS –
Aubrey Malone
A PRINCELY
INTERVIEW - Alexis Lykiard
THE
COMPANY KEPT, OR, PARTY ANIMALS
-
Alexis Lykiard
CREATURE COMFORT
-
Alexis Lykiard
FIRESIDE FELON
–
Alexis Lykiard
THE STATE
AND THE PLEBS - Alexis Lykiard
DISUNITED
KINGDOM – Alexis Lykiard
CHANGE AND DECAY - Alexis Lykiard
THRENODY –
Alexis Lykiard
COLD
WARRIORS – Jim Burns
BORIS REX
REDUX – John Lee
FUNKY
FUCKERY – Tanner
RATISBON –
Keith Howden
THE VERY
TRUTH OF THINGS (2) – Jim Greenhalf
EDUCATING
RITA – Ken Champion
BACK DATED, POST PRICKED PHOTOGRAPH OF A
PRE-PRICKED WEDDING (2)
–
Ivan de Nemeth
BIRTH OF
AN ANARCHIST – John Lee
THREE
PERSONS OF INTEREST (1) – David
Birstwistle
A SORRY
END – Mark Ward
A STRANGE
LAND – Andrew Lee-Hart
THE REICH
STUFF – Tanner
DOING
BETTER THAN EXPECTED – David
Birstwistle
THE TROUBLE WITH ERNIE (1) –
Bob Wild
JARGON WINE –
Martin Keaveney
EDITORIAL
GETTING IT OUT THERE You’ve
completed your six volumed novel, a five hundred page short story
collection and an epic poem the size of As the case of Rees-Mogg proves you
rarely get celebrated by being published – you’re more likely to get
published by being celebrated. The Yorkshire Ripper or Ian Brady could
be best sellers. It would help if you were a young, good-looking, female
Oxbridge graduate. I doubt the Elephant Man would get taken up even if
he wandered in with War and Peace under his arm. Agents, too, may sound
a good idea but they do bugger all (our more successful authors report).
My info comes
not from personal experience since I reject the whole seedy marketing
set-up (or maybe it has rejected me). Penniless Press Publications,
founded 2007, has published 6000 books by 27 writers spread over 90
titles. The average, therefore, is around 65 sales per title. Some do
better than others but even the three which have been well reviewed in
the Times
Literary Supplement have not been great sellers.
So, if you’re a struggling aspirant, don’t give up your day job
(assuming you have one). But before you cut your throat read what Clive
James says: “People assume that any book they’ve heard of sells a
million. In cold fact, it is a lucky book that sells a thousand and I
know of one literary memoire – in my review of it I called it a classic
– sold fifteen copies” Technology
has queered the pitch. Mainstream publishers offered an advance (repaid
from your royalties) and owned the copyright. They printed a few
thousand of which, if they’d guessed wrong, most languished in a
warehouse until remaindered for a fraction of cost. Print-on-demand (eg
Lulu and Createspace) has changed all that. Now the aspirant can knock
up a book for less than a tenner with no obligation to order more. It’ll
be ISBNed and listed on Amazon, and in the world-wide distribution
system. It’ll be stashed for ever in the British Deposit Library at
Boston Spa. So what’s missing? Marketing: it’s expensive, uncertain and
difficult. Blake sold his stuff in the street from a tray round his
neck. But note the verb –
sold.
These days you may have to give it away. Amazon
listing sounds promising; it’s certainly better than nothing, but there
are about 3 million titles on there and Jeff Bezos may lose interest in
your book and tag it: “Currently unavailable. We will let you know when
it is restocked” or, even more alarmingly “Currently unavailable. We
don’t know when or if this item will be back in stock.” >gulp< Has Jeff
actually read it you wonder? Then there’s the strange Amazon Bestsellers
Rank covering all books. You could be scored 9 million (it’s an inverse
scale) but if we restrict it to Contemporary Fiction you could get it
down to a mere five hundred thousand.
Elton John’s new
blockbusting autobiog scores 10. These scores are generated by a
complicated algorithm (not explained) so I guess it’s just a bunch of
geeks horsing around in Then there’s the bookshop (remember
them?). Most punters don’t know what they want or where they can get it.
Most punters, feeling like a read, while waiting for their TV to be
fixed, wander into Waterstones and browse the stock. If your great work
is on a table or a shelf they might well go for it. Covers are important
– a half naked floosie draped in a Nazi flag seems to work best. Of
course Waterstones won’t order a pile even on sale of return so you’ll
have to go in there and stick it on a table or shelf yourself – yes,
some PPP authors do just this. Another marketing ruse is to give a few
to a charity shop – hardly marketing, more like distribution. The
donated book at £0 rises to £10.99 + postage for a “pre loved copy”
followed by another dealer offering it at £200. Of course it’s all for
charity. You’ll feel better if you pay more. Yep it’s anarchy
out there and books are just another commodity. What are they worth?
Whatever some dumb sap will pay. But at least you’re available in the
marketplace if not an active salesman. A fan in -----------------------------------
BIRTH OF AN ANARCHIST I’ve had time to
reflect upon Remy my gypsy friend who it turns out was an Arab. This he
learned from Bin Fooked the Muslim gentleman with whom he shared a cell
this past 6 months and who initiated a change in his philosophical
outlook. The slough, mine that is, was or is occasioned by resettlement
hopefully temporally in Maldon, a town represented by and representative
of its MP John Whittingdale, the corrupt middle class Nazi of the ERG,
just as On the
other hand my brother-in-law Bill, the ex TT rider, formerly a strong
union Labour man, is beginning to enjoy the situation. He attends every
possible public meeting and disagrees with everybody’s opinions, writes
to the papers and goes to the pub not to drink but to make the argument
that the people he meets are wrong. A former Labour man he is firmly an
anti-Brexiter though because he is so much enjoying his new found
conversational anarchism I suspect that were he to find a majority of
“antis” he would become a Brexiter-just for the crack. When you have to
retire from the danger of motorcycle racing you have to find something
equally dangerous but more suited to sedentary old age.
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