CONTENTS
EDITORIAL - Ken Clay
MR MALAPROP – Ken Champion
THREE POEMS & TWO HAIKU – Alexis Lykiard
SCIENCE AT SIXTY THREE – Fred Whitehead
THE WORD MADE FLESH – Keith Howden
THE MANY LIVES OF CY ENDFIELD – Jim Burns
REVELATION – Mark Ward
THE EXPERT – Eric A. Buckley
TRANSUBSTANTIATION – Luke Brown
SECURITY GAWD THE 2ND: PURPLE SHANE – Tanner
COME AND SUFFER – Keith Howden
ICED FANCIES – Martin Keaveney
STALIN FOR BEGINNERS – Ron Horsefield
A FEEL FOR WORDS (3) – David Birtwistle
AT THE COOP – Tom Kilcourse
READING, RITING, RITHMATIC WET DREAMS (2) Ivan de Nemethy
THE WATERS OF BABYLON - Andrew Lee-Hart
RUNNING BOY – Tom Kelly
THE PERFECT TREBLE – Bob Wild
SHITEHAWKS – Ron Horsefield
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EDITORIAL
GETTING IT OUT THERE
John Carey, top dog in Eng Lit
crit and Oxford prof sounds the alarm in a review of
Philip Hensher’s two volumed anthology of short
stories:
What the British short story needs, Hensher insists,
is not prizes but outlets. It came to life in the
rich magazine culture of the 1890s, which was itself
a response to the new mass-reading public created by
the 1870s education acts. Its readership was not the
old leisured class but clerks and office workers,
needing their fiction in quick doses. Arthur Conan
Doyle's Sherlock Holmes stories, published in the
Strand Magazine were written with them in mind, and
Hensher counts 23 other magazines from the same
decade that regularly featured short fiction.
Writers could earn a living - or, in Doyle's case, a
fortune - just from short stories. Now almost no
British periodicals publish short fiction, and
shamingly, as Hensher observes, The New Yorker has
been more hospitable to British short-story writers
in recent years than any British outlet. It also
pays better: the BBC's fee for a short story
broadcast on radio would not, he estimates, cover
his weekly laundry bill.
Yes it is regrettable that the
fine art of the short story has been displaced in
the universe of popular entertainment by The X
Factor and Strictly Come Dancing just as the string
quartet has been superseded by Elvis and Adele. But
whaddyagonnado? It’s the market innit. Oiks still
read books but they like bonkbusters or fantasies by
Jackie Collins and JK Rowling. And who’s going to
deny them these simple pleasures?
Lack of outlets is a crux, as
JC avers. So where do the literate cognoscenti
(Crazy Oik readers and writers) turn in this age of
dearth? Print-on-demand little mags maybe. We don’t
have to stick our begging bowl under the patron’s
nose – like Eliot pan-handling Lady Rothermere to
get Criterion afloat - we can do the whole show
right here in the barn. Crazy Oik fees (currently
£0) won’t pay your laundry bill (who has those
anymore? Or even ever?). I guess Sherlock Holmes and
Conan Doyle would have had one but for now you’ll
just have to wash your socks in the sink and hang
them on the radiator. And as for posterity – well,
it’s not all bad, thanks to technology. The Oik
website will be archived in some corner of Google’s
vast digital empire to be discovered by anthologists
a hundred years from now. For those future readers
the laundry bill will be as obscure as the hansom
cab. Everyone will be flush on the Citizen’s wage
and writing for the sheer pleasure of it – that’ll
be progress indeed.
Ken Clay 2016
KEITH
HOWDEN
Come and Suffer
In Blackpool, Catterall and
Swarbrick sold their beers
under the title C & S.
This was commonly translated as
Come and Suffer.
Those were the days, maybe,
coming after
the Sex Express to
Blackpool North and galaxies
of C & S. We called it Come
and Suffer.
Innocence doped the ozone. There
were fairies
at the bottom of the garden.
Beatle-bonneted,
Daft Jack and Jock pranced
Saturday matador.
It was Cock-Lorel land. Daft
Jack and Jock
groped pleasure beaches, boozed
and inhaled
the time’s illuminations. C & S
spoke
new Eden’s horticulture. We knew
the world
our mussel. Waltzers waltzed,
the Tower
towered, ballrooms boiled
Blackpool Rock.
This was the swinging sixties.
Hope hiccupped sure
as hangovers hard-won from C &
S.
Slot-machines always paid. The
Fun-House’s offer
seemed unironic. Done with
National Service,
Daft Jack and Jock forgot short
back and sides
to march in mad Cockaigne. The
Tower
pointed the way our world was
going, the tide
was always high and every
fag-machine
promised Valhalla. Expectation
frothed
in every pint of C & S. Wogs
still began
at Calais. Spain was tomorrow.
New Utopia
castled the sands and towered
the Promenade.
It was cloud-cuckoo land. In the
end, always,
the Ghost Train and the
Winter Gardens waited.
Daft Jack and Jock rode the
return express
to darkened stations. The Tower
shrivelled.
We Came and Suffered, learning
the sobering
seventies, the excremental
eighties.
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Parachute Training Tatton Park 1944 - Albert Richards
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