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ISSUE 29

SPRING 2016

CONTENTS

 

EDITORIAL - Ken Clay

THE COLOURS – Martin Keaveney

READING, RITING, RITHMATIC WET DREAMS (2) Ivan de Nemethy

TWO POEMS AND TWO HAIKU – Alexis Lykiard

SHAKESPEARE – Fred Whitehead

HANGING ALICE NUTTER – Keith Howden

A CUP OF COFFEE – Adam Kluger

AMERICA’S DREYFUS – Jim Burns

A CARELESS INTERLUDE – Tanner

THE PARABLES OF ITCH – Keith Howden

THE LEMOINE AFFAIR by SAINTE BEUVE – Marcel Proust

THE DAY SHE LEFT ME - Andrew Lee-Hart

A FEEL FOR WORDS (4) – David Birtwistle

RUSSIAN GIRL – Eric A. Buckley

ARTHUR’S PLATE  – Mark Ward

AN OIK IN LOVE Ron Horsefield

THE OU ADDICT – Bob Wild

 

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EDITORIAL

  

What exactly is an Oik? Might you be one? If you’re worried there’s a complete definition from the OED on the website (Introduction) and Steve Bell’s great cartoon (Oiklet 27) but maybe the oik is like the unicorn – in the dictionary but actually a chimera. Steve latches on to the Bullingdon Club appropriation and recycles the notion that Osborne and Cameron poked fun at poor William Hague (a comprehensive school upstart from Rotherham) by calling him one. Now he’s Baron Hague of Richmond. Oik made good or traitor to his class? 

Chimeras or not we have two good examples of oikitude in this issue. John Bratby might be considered an echt oik being a rude vulgarian who didn’t give a toss for the authorities. He was a dead ringer for Gulley Jimson , a bohemian low life painter in Joyce Cary’s 1950’s novels. Bratby did the pictures used in the film of 1956. A founder member of the Kitchen Sink school of art his first sale to the Tate gallery was Still Life with Chip Frier (he actually dropped dead on his doorstep on his way back from the chippy aged 64). John Russell, the Telegraph Art critic compared his cornflake packets with the Rokeby Venus (what Russell probably said was Bratby’s not fit to lick Velasquez’s boots – but that’s critics for you – anything to get noticed). JB faded somewhat with the rise of Pop Art and abstract expressionism but he remained popular with oiks and could be considered a few notches up on modern masters like Jack Vettriano. 

Then there’s literature. You can have naïve art and naïve music but you can’t have naïve lit. People hang not only Bratbys on their walls but daubs by chimpanzees – then there’s artists like Pollock and Bacon who just throw paint on the canvas and hope something interesting emerges (and sometimes it does). And in music we learn that the greatest song writer since Schubert (according to highfalutin critic William Mann) Sir Paul McCartney, also painted by Bratby, couldn’t read or write a note. A real musician described the scene as Sir Paul “wrote” his oratorio “"When I say 'write'," my friend said, "I use the word very loosely. A whole army of people were flown out to his place, and found themselves staying up for 48 hours at a stretch while he wandered around, humming. It was their job to turn this total arse-dribble into a score for chorus and orchestra. He seemed quite pleased with it in the end. Of course, it's never been played since.” Yes, Sir Paul must be considered a contributor even if he couldn’t manage a Tannhauser or an Art of Fugue. Likewise Pollock and Bacon – the art resides to some degree in what they choose from the chaos (photography might be another such activity – aleotoric but not entirely worthless). Great word or what? – I found it by chance flipping through the OED. 

But oik lit? Can there be such a thing? Naïve language isn’t up to it. There are no lucky hits in lit. Writers have to master that intractable instrument by reading and writing a lot. Nevertheless there are effusions of oikitude and the Crazy Oik happens across one every blue moon. In this issue we present An Oik in Love being a passionate outpouring to a lost inamorata. Yep, even oiks resort to words occasionally if only to insult the supporters of an opposing team. Other instances might be the funeral oration (followed by I Did It My Way) and inscriptions on gravestones where some truly barbaric yawp might get its lapidary immortality. Nowadays, of course, twitter and facebook are replete with such illiterate shite but the Crazy Oik’s mission is to select choice examples of the genre and enshrine them permanently in the decent obscurity of the literary magazine. And who knows what linguistic mutants will survive? It seems impossible to gainsay that “you know” has more than half its letters quite redundant and that our anonymous scribe’s “uno” is a distinct improvement. 

Meanwhile in another part of the forest, we continue our series of Proust pastiches. The first on Flaubert appeared in Oik 15 and you should read that before tackling his pisstake of Sainte-Beuve. The great 19th C critic is in fact nitpicking at the Flaubert pastiche and adding his own blizzard of arcane namedropping references – yes all very complicated (you can see why nobody has ever translated these before). A good start on the background would be the Goncourt Journal – only 4500 pages. We plan to do Proust’s pastiche of Goncourt in a future issue.  

Ken Clay April 2016


 

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AN OIK IN LOVE

Listen yu I dnt wnt u 2 read dis n fink its just some bullshit letter n im chatin shit, I want ya 2 read it u get me.

By da time u read it I would of already be gone. Me, ma mom n da kids av moved outta brum.

Bt neway yu firstly I wanna tell u dat u was da best fing dat happened 2 me. N im sorry 4 not treatin u ryt. Your da definition of wifey material when we was together I was a prik, bt rele I was immature, I didn’t no what I wanted till now. Swear down, no lie I fink bout u all da tym I fink how beautiful u r n how perfectly u was n u no wat I rah don’t deserve ya, I neva deserved 2 have you before, you were worth so much more den me. But I don’t even fink bout dat, I fink bout first time I spoke to ya, n how we was on da fone till like 5 in da morning, or when u used 2 cum c me in shool behind da hut. N I swear 2 u I neva used ya, when we was 2geva 1 nex gyal wanted 2 check me and Mr Abernaty asked me who I would choose n I sed ‘Cherelle’. I loved ya n no one can say dats a lie. I don’t know wat happened I jus got shook or sutin n started actin like a prik. N uno what meks it worse, u told me I would regret actin how I did, n I regret it more den nefin else Ive done. But obv I realised 2 late, I ent had a proper gurl since u, n I noticed its cuz I didn’t wnt a nex gurl, I wntd you bak. Its bout 2 yrs now n I stil finkin of ya.

I jus wana say sorry. Sorry 4 hurtin ya, sorry 4 da tears I caused ya, im fulli sorry 4 everything sorry 4 all dem times I was para. Im sorry bout all da shit wid ya chain. If I could do nefin 2 show how sorry I am I would. But uno wat im glad n happy now.

Obv im screwin cuz I want ya but Id do nefin 2 c u happy n as long as u r happy den I support ya. I didn’t wanna leve unless u new all this, n dis is my way of sayin bye. So I hope u av a gud life and a happy 1. N memba, I broke ma v wid ya so il neva 4get ya.

Nuff love

XXXX
 XXX
  XX
   X

Bye

 

Washbowl - 1962 JR Bratby